The Starfruit Project’s first production debuts in two weeks in Philadelphia! firsts is an original show about milestones created by queer people of color. Learn more about the cast and crew, and why they’re excited about this show.
Who are you as an artist & human?
I consider myself an AfroQueer writer. I write to increase visibility of afro queer stories, wants, needs, and challenges as a community. As a human, my number one priority as I live on earth is to spread love and positivity. We live in a world full of clapbacks and pettiness; I strive to bring an alternative mainstream approach in living life. It's cool to be kind. I make art to simply add to the foundation created by queer artists before me who wanted to impact this world through lenses that’re often overlooked and ignored.
How would you describe your artistic journey?
My artistic journey always begins with a dream. I am a dreamer and all my stories originate from a dream. Some might call it a calling; I consider it a vision of what my work needs to touch on. From the dream begins the writing process and research on paper. I still write everything on paper instead of typing. Writing on paper feeds my artistic hunger while typing is just a means of getting my stories to the people. It might take longer with writing everything by hand and then typing, but it’s worth it. The biggest challenge of my artistic endeavors has always been not relying on the approval of others in the stories I tell. I’ve learned art is not meant to be validated. If it happens, then fine. But you gotta put forth the work you believe in regardless if its widely accepted or not. I believe consistency has been key in sustaining and growing in my creative endeavors. You have to keep creating and keep challenging yourself and your work.
What role does healing have in your creative practice?
Creating art and surrounding myself with art spaces has always been my escape. Most of the time when I write, its usually coming from a past issue or experience that I still might be processing or a present issue or experience that still hasn’t been resolved in my heart or head. Writing allows me to go deeper with those things and most times after I complete a project, I have a better understanding and solution of what to do or better yet, I am at peace with what’s going on or what has happened.
How do art, activism, and wellness intersect and intertwine for you?
As a AfroQueer writer, my whole artistry relies on the intersectionality of activism and art as I strive to tell the stories that affect queer people of color and the struggles that come along with belonging to multiple minority communities that are often disadvantaged, mistreated, and lacking visibility.
What art of color are you excited about lately? (Maybe BeyChella..)
Watching Beyoncé is always inspiring on so many levels. You have to admire her ability to grow and elevate her artistry as well as her pure talent and work ethic. She brings it every time at such high level and you mix that in with her black girl magic and her black power messaging, you have a cultural renaissance woman. She lights a fire under all of us creatives to step it up. I’m also reading a lot of Tarrell Alvin McCraney, who co-wrote the movie Moonlight based on his play In Moonlight Black Boys Look Blue, and I am highly impressed and obsessed with his The Brother/Sister Plays trilogy. Great work and very inspiring.
What are you looking forward to artistically?
I have a new book, No Bonds So Strong, that released on April 27th and I definitely want to ride the wave with this new body of work. I am planning a book tour and want to impact our culture a little differently with literature. I came from so many backgrounds as far as scholarly, community, organizing, non profit work, ballroom, and party kid. I mean you name it, I’ve probably done it and I want to merge all those experiences and find a new lane in telling stories from a black gay perspective by a gay black artist. By us for us approach. Social media is opening doors for us creatives to try different things in getting our work out and I’m ready to explore. Of course, in the future I would love for No Bonds to be a series or a movie. I’m actually working on a new web series now.
What wishes, affirmations, and advice do you have for other artists of color?
I say do work that will shake up the ground a little bit. Don’t be safe. Uncomfortable is where the work is needed. Those who are denying great quality of life for queer people of color are not quiet. They are making a lot of noise and we must do the same. Be loud in your art. Be loud in your message. It’s just not the time to be quiet or passive.
Anything else you want to share?
Love life and being kind is cool!
You can learn more at mistertelltales.com and on Twitter, Facebook, and Instagram.
more about the artist:
Tarik Daniels is a AfroQueer writer from Detroit, Michigan. He has written and produced four plays, THE COUNSELING SESSION, Rose University, STIGMA, and PrettyBoy Realness. His writings focuses on telling stories about the realm of intersectionality and the bondage of queer people of color. Tarik founded and serves as Executive Director of Whatsinthemirror?, a social movement that provides mental health awareness and suicide prevention through art and advocacy to communities of color.
Tell us about your artsy self.
I am a poet, a performer (I struggle with the label of "actor," although I do act), a writer, and a theater maker. All of my work tends to live somewhere at these intersections.
Tell us about your artistic journey.
I started taking my art seriously from the first time I began performing in theater. I also wrote when I was a young teenager, mostly for myself, but found my voice suppressed by the conditions I was surrounded by and told myself I wasn't good at it. I gave it up for a long time. My love affair with theater, which also began when I was a very young teenager, got warped by the toxic culture surrounding the performing arts and after particularly traumatizing high school and college experiences, I very seriously considered giving up acting and theater altogether. Coming back to writing, ironically for a theater company that ended up being equally traumatizing, reminded me of the work I needed to be doing and allowed me to rediscover my voice, as well as collaborate with folks who were interested in saying and doing the same things. My community of artists and my family, both chosen and of blood, have sustained me through navigating and bucking against the white supremacist, cishetereopatriarchal institution of theater as it currently exists.
What role does healing have in your artistic practice?
All of my work is about healing. My purest, earliest experiences of theater and spoken word were religious to me. I maintain that all experiences need to achieve that religious essence, which is why authenticity is always a priority, and why I would prefer something to be truthful rather than "good." Art has healed me, little by little, and my philosophy is that if I am honest about my struggles, it will resonate with someone else who will, in turn, be healed by it.
What art of color are you excited about?
There are so many things I'm excited by! First person who comes to mind is Amber Iman (@afrodeity), an incredible black visual artist who I had the honor of meeting when she did a live painting at an event my collective curated. Spoken word poet Elizabeth Acevedo and her debut novel, The Poet X, gave me every ounce of life when I read it earlier this month. I do think there is a character in the novel who could have been written much better with some applied queer theory, but the novel fed my need for Afro Latinx representation and recreated many of my teenage experiences with an unmatched authenticity. It is an astonishing, gorgeous debut work. One of the BEST new plays I've seen in a long time is Is God Is, which is currently playing at Soho Rep in Manhattan. Aleshea Harris writes us into the world of two twin sisters tasked with enacting revenge against their father, who nearly two decades previously attempted to murder them and their mother (referred to as God). The sisters travel from the South to California to find and kill him; and along the way encounter a mosaic of characters including their father's new family. Laced with beautiful sardonic humor, the show tackles misogynoir, vengeance, and justice through a spaghetti western-style adventure. A violent, cathartic thrill ride and I lived for every minute.
What are you looking forward to in the coming months, years, decades artistically?
I am very excited to continue my spoken word work, and get more involved in competing! I am also so excited to be one of the book writers for a new musical, The Legacy Project, which tackles black ancestry, identity, and future. I am also super excited to be working on a new play called Desarrollo by Juliany Taveras about Latinx queer babies, the Bronx, and memory.
What wishes, affirmations, and advice do you have for other creatives of color?
If something feels at odds with your artistic vision, trust that instinct. That's not to say you shouldn't exit your comfort zone; but rather, to develop a keen awareness of who is trying to subvert your vision and who is there to support it. School is not the only avenue towards creative work. In fact, formal training often lacks the lens to properly train black and brown bodies, as well as tell black and brown stories. The best training you could ever have is life experience. So live it, in whatever way that makes sense to you. Don't overextend yourself; don't do things that feel like you are being pushed to a breaking point.
To keep up with Jackie’s radiance and rants, follow her on Instagram @jackieines or on Facebook!